Myslovitz - 1999 - Miłość w czasach popkultury

Myslovitz - 1999 - Miłość w czasach popkultury 

Myslovitz is the most popular rock band to emerge from Poland in the late Nineties. They took the name from the city where they were born, Myslowice, making it the new capital of the local alternative scene. Guitarist and vocalist Artur Rojek started the band in 1992 as "The Freshmen", taking the initial name from the 1990 film The Freshman, starring Marlon Brando and Matthew Broderick, indicating a fascination with cinema that would become a characteristic feature throughout the band's career. In 1994 they changed their name to Myslovitz. The band's early phase was characterised by a somewhat debonair punk attitude, as Rojek admits:

"I started Myslovitz in 1992. I was twenty then and I had no idea how to make good music. Surely, I was a big fan of a few British groups (Ride, Stone Roses, My Bloody Valentine, Housemartins) but I couldn't play the guitar at all. After several months of rehearsals […] I decided that I should cover the holes in my musical education by […] chaos (the bigger the better)." 

Even so, they soon caught the media's attention, winning several important competitions for young musicians. This enabled them to make their first professional recordings in the studio of Radio Lodz. In 1994, Myslovitz were signed by MJM Music Pl and recorded their self-titled debut album with British producer Ian Harris, who had previously worked for, amongst others, Joy Division, New Order, and The Exploited. Upon its release in 1995, the album received euphoric reviews and was declared "Debut of the Year" by several music magazines. Some critics compared it to Oasis, who were at the peak of their popularity at that time. In 1996, Myslovitz were joined by a third guitarist and keyboarder, Przemek Myszor, and released the second album Sun Machine on Sony Music Polska. The album spawned two somewhat beatlesque airplay hits - Z twarzą Marilyn Monroe ("With a Face Like...") and Peggy Brown, the latter being a cover version of a fellow Mysłowice rock band, with lyrics originally by the Irish "national bard" Turlough O'Carolan (in a translation by the Polish lyricist and translator Ernest Bryll).

The following year, the third album Z rozmyślań przy śniadaniu ("From meditations over breakfast") was released, displaying a tendency towards a more "polished" sound and more introspective lyrics. Also, Myslovitz's now typical fascination with cinema began to take centre stage with numerous allusions and hints in the lyrics and track titles, and a certain "cinematic" atmosphere in the music itself. The band's interest in cinema also showed in their contributions to soundtracks. In 1998, they recorded the unconventional track To nie był film ("That was no film") for the Polish movie Młode wilki ½ ("Young Wolves ½"). The lyrics referred to a wave of violent crimes committed by juvenile delinquents, which was controversially discussed in Polish mass media in the mid-1990s. The explicit depiction of violence in the lyrics and the accompanying video clip (which later won a Fryderyk award as "Video of the Year") caused further controversy and led Polish broadcasting networks to boycott both the song and the clip.  Also in 1998, Myslovitz had their first appearances abroad with shows in Sweden, Germany, and the United States.

The final breakthrough for the band came in 1999 with their fourth album entitled Miłość w czasach popkultury ("Love in The Time of Pop Culture"), which went platinum (i.e. 150,000 copies sold) soon and has by now achieved "double platinum" status in Poland. The single Długość dzwięku samotności ("[The Length of the] Sound of Solitude") became the biggest hit for the band so far. If "Miłość..." had been produced by an English band, today it would be considered a classic of the late Britpop era, as it contains some amazing songs. "Chłopcy" is introduced by a refined stratification of riffs and guitar effects, "Długość dźwięku samotności" is a touching love song with lounge-pop sounds, "Gdzieś" has some nice rhythm tricks and an explosive chorus, "My" is a softly depressive midtempo pierced by some subtle feedback noises, "Noc" is a celestial crescendo guided by acoustic guitars and percussions.

In 2000 Myslovitz again contributed to soundtracks, writing and recording the song Polowanie na wielbłąda ("Camel Hunting") for the movie The Big Animal (Duże zwierzę) by the legendary Polish actor and director Jerzy Stuhr, and the single plus another two (previously unreleased) tracks to director Waldemar Szarek's movie "That's Us" (To my). In 2003 Myslovitz continued their cooperation with Stuhr, creating not only the title song for his movie "Tomorrow's Weather", but also appearing in walk-on roles - as neophyte monks. In 2002, the follow-up to Miłość..., entitled Korova Milky Bar appeared; the title being an allusion to Stanley Kubrick's classic screen version of Anthony Burgess's A Clockwork Orange. Strikingly, the melancholic elements took over almost completely, with both music and (sometimes sarcastic) lyrics creating an overall downcast mood. Nonetheless, the album sold even more copies than its predecessor had in the same amount of time, with the singles Acidland and Sprzedawcy marzeń ("Dreamsellers") repeating the success of Długość... three years earlier.

The reason for the new material's popularity, as some critics surmised, was that its atmosphere closely conformed to a presumed resignative-recessive mood within Polish society at large - which guitarist Przemek Myszor seemed to confirm in an interview for the Montreal Mirror: "For us, the Korova Milky Bar [from Kubrick's 'A Clockwork Orange'] is a place where something different may happen to your mind. It's a place like today's Poland. You know, Poland is a place where very strange things happen to your mind. It's a country full of crisis and everything around you is very sad, very dark, very fucked. There is an economic crisis here. People don't have money, politics are fucked. The lyrics on our record are sad because of this. We sing a lot about being in a strange state of mind". With Korova Milky Bar, Myslovitz appeared at several festivals throughout Europe, including the big, traditional German festival for Alternative acts (Bizarre) and the prestigious Montreux Jazz Festival. Also, they supported Iggy Pop and the Simple Minds on their European tours that year. Also, they received an MTV Europe Music Awards in Barcelona for Best Polish Act, having been nominated twice in previous years. In November 2002 Myslovitz signed a new contract with EMI's Polish outlet Pomaton. The first album to be released on the new label was an English-language re-recording of Korova Milky Bar, which was released in 27 countries (including Germany, the Netherlands, Belgium, Switzerland, France, Spain, Russia, Turkey and South Africa). In addition to the Korova... material, this version also included English versions of older tracks. "Długość dzwięku samotności" now became a single as "The Sound of Solitude"' (an earlier English version, somewhat awkwardly but more correctly entitled "The Length of The Solitude Sound", had been a Polish b-side). A video clip for this song was directed Janusz Kamiński, the Polish Hollywood cinematographer who had won Academy Awards for Best Cinematography with Schindler's List and Saving Private Ryan, and had declined an offer from Martin Scorsese in order to work with Myslovitz. Kaminski declares himself a "fan" of Myslovitz, saying "I only work for Spielberg and Myslovitz [...] Money is not a factor in this. What one doesn't do for one's idols!" The clip got frequent plays on MTV Europe and the album received positive reviews in the European music press, particularly in Germany. However, radio airplay was sporadic and largely limited to Alternative programmes (such as John Peel in the UK), as a consequence, Myslovitz so far failed to enter the upper reaches of the charts outside Poland.

Also in 2003, Myslovitz performed with Travis and Skin (of Skunk Anansie fame) on The Road to Edinburgh, where they received another MTV Europe Music Award for Best Polish Act. The same year, Sony Music domestically released an obligatory end-of-contract compilation album, entitled The Best of. The lead single Kraków was an older song re-recorded with 1970s Polish folk rock stars Marek Grechuta and Anawa. In the summer of 2004 Myslovitz were touring Europe again, starting with a concert for the German public radio and television broadcaster WDR on the eve of EU enlargement. Apart from headlining smaller venues and playing festival slots (including the largest Swiss open-air event in St. Gallen, they again opened for Iggy Pop & The Stooges on their European dates, as well as for The Corrs in the UK and mainland Europe. In December 2004, EMI released Myslovitz's most recent album entitled Skalary, mieczyki, neonki ("Angelfish, swordtails, neon tetras") - an out-of-schedule release with outtakes from the Korova Milky Bar recording sessions; longform, psychedelic-experimental and downbeat instrumental soundscapes took center stage. Skalary... earned Myslovitz comparisons to Radiohead and Pink Floyd. At the time, the band had finished recording of their new album Happiness Is Easy; it was released in May 2006. Myslovitz's success arguably contributed to a revitalisation of the Polish alternative rock scene in the late 1990s and early 2000s, which spawned bands such as eM, Kombajn do zbierania kur po wioskach, and Lili Marlene. In April 2012, frontman and co-founder Artur Rojek left the band after twenty years to pursue a solo career and continue work as creative director for the annual OFF Festival. Rojek was replaced by singer Michał Kowalonek, who left the band in 2018 (exactly six years to the day of Rojek's departure).

http://sovietsam.blogspot.com/2013/10/myslovitz-miosc-w-czasach-popkultury.html

TRACKLIST:

1. "Chłopcy" 3:58

2. "Nienawiść" 3:47

3. "Długość dźwięku samotności" 4:11

4. "Dla ciebie" 3:45

5. "Peggy Sue nie wyszła za mąż" 4:25

6. "Gdzieś" 4:31

7. "Kraków" 4:07

8. "Miłość w czasach popkultury" 3:12

9. "Noc" 5:53

10. "Alexander" 4:01

11. "My" 3:26

12. "Zamiana" 6:26

Credits:

Artur Rojek: Vocals, Guitar

Jacek Kuderski: Bass Guitar 

Przemysław Myszor: Guitar 

Wojciech Powaga: Guitar 

Wojtek 'Lala' Kuderski: Percussion

Szymon "Sakhya" Potyński, Robert Laska : Design 

Tomasz Rogula: Directed By 

Grzegorz Piwkowski: Mastered By 

Ryszard Horowitz, Rafał Latoszek: Photography By 

Myslovitz, Tomasz Bonarowski: Producer [Produkcja]