Idir - 1976 - A Vava Inouva

 Idir - 1976 - A Vava Inouva

Hamid Cheriet (Kabyle: Ḥamid Ceryat; 25 October 1945 – 2 May 2020), better known by his stage name Idir, was an Algerian Kabyle singer-songwriter and musician. Referred to as the "King of Amazigh music", he is regarded as one of the more significant modern day figures in Algerian and Amazigh culture, history, and struggle. Along with musicians like Ferhat Mehenni and Lounis Aït Menguellet, Idir helped popularize Kabylian folk music. Initially training to be a geologist, his interest for music was piqued when he was called to sing on state radio as a late substitute. After finishing his compulsory military service, he moved to France in 1975 and embarked on his career in music. Idir took a hiatus during the 1980s before returning in 1993. He was a passionate advocate of the Kabyle and Berber cultures.

Idir was born in Aït Lahcene, Aït Yenni, Tizi Ouzou Province (part of French Algeria at the time), on 25 October 1945.He originally studied to become a geologist and worked at an oil and gas field. In 1973, he was asked to be a late substitute for Nouara on Radio Algeria. He sang "A Vava Inouva", a lullaby that incorporated the "rich oral traditions" of his Berber culture. Although the song became popular, both in Algeria and abroad, Idir did not learn about this until after he finished his military conscription. In 1975, he left for France to begin working on his debut album, also titled A Vava Inouva. The title track was translated into seven languages and became a major success. Idir would later comment how "the song had chosen [him]". The song A Vava Inouva – inspired by a traditional story about a young girl trying to save her father from danger – carved out a new juncture at the intersection of several pathways. These included worldwide movements of decolonisation, revalorizations of cultural heritage, and new technologies like the cassette tape. Idir also sought recognition of his Tamazight language and Amazigh culture, in opposition to Algeria’s dominant Arabo-Islamic ideological orientation. 

These pathways came together in A Vava Inouva. It turned out that Idir’s return to the village was inspired by what he saw happening in the world. A Vava Inouva is built around the sung refrain of a story that grandmothers had long told throughout Kabylia. Idir set the well-known refrain between new verses penned by Ben Mohamed. In typical village scenes the grandmother spins her tale, surrounded by family members engaged in their own activities, snow falling softly outside. When the song hit the Algerian airwaves, it was electrifying: a friend reported seeing people walking backwards down an escalator to hear it playing over a store’s ground-floor speakers.

It was also the first Algerian song to play on French national radio, in 1975, coinciding with the first visit of a French president (Valéry Giscard d’Estaing) to Algeria since Algerian independence in 1962. From there, the song took off, reportedly selling some 200,000 copies by 1978. It would be translated into over a dozen languages and taken up by groups around the world.

After releasing the album Ay Arrac Nneɣ, he took a break from writing music throughout the 1980s. Idir re-entered the music industry in 1993 when he released the album Les Chasseurs de Lumières ("The Light Hunters"). He became known as an ardent advocate of the Kabyle and Berber cultures. In 1995, he performed together with fellow Berber Lounès Matoub, who was murdered three years later. His 1999 album, Identités, featured him singing with Manu Chao, Dan Ar Braz, Maxime Le Forestier, Gnawa Diffusion, Zebda, Gilles Servat, Geoffrey Oryema, and the Berber National Orchestra. It was ultimately a widespread success. Idir's release of the album La France des Couleurs ("France of Colors") coincided with the 2007 French presidential election, in which Idir championed multiculturalism and immigration. He released his final album, Ici et Ailleurs ("Here and Elsewhere") in 2017. The following year, he returned to his native Algeria after being away for 38 years, since 1980. He held a concert there in support of the Algerian protests that eventually led to the resignation of President Abdelaziz Bouteflika. Idir died on 2 May 2020 in Paris at age 70. He had been suffering from pulmonary fibrosis and was hospitalized two days before his death. News of his death was first announced on his official Facebook page, apparently posted by his children. A message of condolence conveyed by Abdelmadjid Tebboune, the President of Algeria, via Twitter praised Idir as "an icon of Algerian art" and stated that the country had "lost one of its monuments".

Idir participated in many concerts supporting different causes. For example, on 22 June 1995, more than 6,000 people attended a concert for peace, freedom, and tolerance performed by him and his friend, singer Khaled, initiators of the association "La France, la Vie" ("France and Life"). Idir also took part in the concert in memory of Lounès Matoub, the Kabyle singer who was assassinated in 1998. In 2001, Idir defended his national identity once again at "Le Zénith" in Paris at the "21st Berber Spring", a celebration of Berber culture. On 8 July that year, he organised a special fund-raising concert to support the population in Kabylie, at a time when anti-government riots were taking place in the predominantly-Berber region. Idir was joined by a number of stars and thousands of French fans who turned out to "Le Zénith" to support the population in Kabylie. In Algeria, Idir’s songs gave Kabyles a sense that their culture counted: that Amazigh customs and traditions were not backward or outmoded but could form a part of a modern Algerian nation. The songs helped lay the foundation for the widespread revalorisation of this heritage in later decades. At the same time, they created a sense of rootedness and a feeling of home for the many Algerians living in the diaspora.

(https://en.wikipedia.org/wiki/Idir_(singer))
(https://theconversation.com/idir-how-a-song-from-the-village-took-algerian-music-to-the-world-141418)

TRACKLIST (1976):

A1. A vava inou va4:25

A2. Alger2:10

A3. Cfiγ ou cfiɣ3:36

A4. Tamacahuţ n'tմe kurt3:55

A5. Zwiţ rwiţ3:25

A6. Muqueγ ou muqleɣ3:15

B1. Azwan2:55

B2. Ssendu4:10

B3. Ise fra4:05

B4. Rsed ay ides3:05

B5. Tagrawla3:05

B6. Tiγri bbwgdud2:20

Credits:

Directed By: Claude Dejacques

Engineer: Maurice Valensin

Photography By: Boccon-Gibod

Liner Notes: Amokrane

Drums: Dede Ceccarelli

Flute: Gérard Geoffroy

Guitar, Bass, Vocals: Omar Meguenni

Synthesizer: Jean Musy

Vocals, Guitar, Percussion: Idir